Michel F. April

In the realm of music composition and production, Michel F. April emerges as a luminary whose influence reverberates across continents. His journey through the music industry is a testament to his exceptional talent and unwavering dedication.

Versatility defines Michel’s craft, as he effortlessly navigates diverse musical landscapes. From crafting grandiose film scores that enrich cinematic narratives to crafting immersive soundtracks for interactive gaming experiences, Michel’s artistry knows no bounds.

His client roster reads like a roll call of entertainment titans, including NBCU, Warner Bros., and Disney Studios, among others. Their unwavering trust in his abilities speaks volumes about the caliber of his work.

Michel’s creative output extends beyond traditional mediums, with over twenty albums produced and co-written, alongside scoring music for twenty-five television series. His compositions breathe life into characters and scenes, leaving an indelible mark on audiences worldwide.

In the realm of interactive gaming, Michel’s impact is profound. His original music for the horror game “Dead by Daylight” pulses with Michel’s original music. Collaborating with iconic franchises like Aliens, Stranger Things, and Resident Evil, he crafts melodies that haunt players’ dreams. Sixty million players worldwide bear witness.

Recognition for Michel’s contributions is abundant, with accolades such as the Canadian Video Game Awards’ Best Canadian-Made Game for “Dead by Daylight,” with Michel himself nominated for Best Original Music. His influence extends beyond the digital realm, resonating deeply with audiences.

Beyond the confines of the studio, Michel’s collaborations defy conventional boundaries. His work on the TV series “THE END IS NYE,” in collaboration with director Brannon Braga, showcases his ability to weave cosmic narratives through music. With luminaries like Seth MacFarlane and Bill Nye among the audience, Michel’s notes transcend earthly confines.